Cred. TIFFANY TAYLOR The Hollywood Reporter
Understanding the SAG-AFTRA strike and its impact on UK performers in the UK If you're an actor or performer in the entertainment industry, you may have heard about the SAG-AFTRA industrial action. We’ll break down what the strike means, how it affects performers, and what actions you can take. What is the SAG-AFTRA industrial action? It's a work stoppage initiated by the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). This action comes as a result of ongoing contract negotiations with the Association of Motion Pictures and Television Producers (AMPTP) which represent corporations that create streaming/film content. That includes companies like Netflix, Amazon and traditional studios. Why is the strike happening? SAG-AFTRA is negotiating with AMPTP about fair wages, improved working conditions, protection of performers' likenesses (including the fight against a requirement for performers' consent for the creation and use of digital replicas, or for digital alterations of a performance), and better residual payments for performers in film, television, and digital media. You can read more about the strike on SAG-AFTRA’s website. https://www.sagaftrastrike.org/ How does the strike affect UK performers? You may have noticed the lack of projects and opportunities due to the affects of both the actor and writer strikes. If you’re a performer who has Equity membership but you’re not a member of SAG-AFTRA, the advice is to continue to work when you can. If you're involved in co-productions or working with SAG-AFTRA members, the strike can potentially disrupt or delay productions. It's important to stay informed and be prepared for any changes that may arise. Should I/can I participate in the strike? If you’re an Equity member, their UK lawyers have advised that whilst the strike is lawful in the US, it’s not legal in the UK. Therefore any performer joining a strike or who refuses to cross a picket line in the UK will have no protection against being dismissed or sued by the producer or engager for breach of contracts. How long will the SAG-AFTRA industrial action last? Unfortunately, the duration remains uncertain, as it depends on the progress made in ongoing negotiations. It could be resolved relatively quickly or extend over a longer period. We’ll keep this page updated as we find out more. During this period of industrial action, it's crucial to stay informed, support your fellow performers, and seek guidance when needed.
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Alfred Hitchcock | Beginning with a legend of cinema, even several years after his death, legendary director Alfred Hitchcock directed roughly fifty films in a span of 6 decades. A London native, Hitchcock introduced new filmmaking techniques that established a new relationship between audience and film- effectively bridging a gap between reality and fantasy with his new “Hitchcockian” style of filming. “The Master of Suspense” ‘s filmography, beginning in the late 1920s and spanning to almost the beginning of the eighties, were typically thriller/ psychological horror in its elements. Some of his best-known works that feature these themes are Vertigo, Psycho, Rope- all films with murder being the act that is foregrounded in the events of the film. His work still influences having established a new layer of cinematography that some of our greatest filmmakers today have incorporated into their work. |
It is almost fate that this UK director bears a name with a resemblance to an iconic American action movie star, as the same star power is reflected in this filmmaker’s work. Favouring an exploration of race, sexuality and violence, McQueen's style is derivative of experimental creatives such as Andy Warhol and Buster Keaton to name a few. Any fans of McQueen’s work will notice the same tone reflected in his work; a consistent theme cultivated through his collaborative efforts with fellow Brit Michael Fassbender. This was first seen in his first feature length (having previously produced short films under his director credit) film Hunger (based on the real events of the 1981 Irish hunger strike) and again Shame (another Fassbender/McQueen collab dealing this time with sex addiction), starring another UK talent Carey Mulligan | Steve McQueen |
Sam Taylor-Johnson | She started working in photography and film in the 1990s, alongside fellow Young British Artists, Damien Hirst and Tracey Emin. And now her latest work A Million Little Pieces has a star studded cast including her partner Aaron Taylor-Johnson, Billy-Bob Thornton, Juliette Lewis and Charlie Hunnam. Another adaptation from a novel based on a writer's rehab journey.One for the Ladies! Known for her directorial debut of Nowhere Boy based on the early life of John Lennon, Sam Taylor-Johnson hails from London and is now taking the world on with her directional work. Stepping into the Hollywood scene, Taylor-Johnson directed Fifty Shades of Grey. The adaptation of the best selling series is just one of the projects that have taken her name international and broke records for the biggest opening for a female director within the industry. |
Slumdog Millionaire, Trainspotting, 28 Days Later…what do these blockbusters have in common? No, it is not a winningly brave protagonist, but being directed by award winning British director Danny Boyle. Having a strong affinity for the underdog protagonist, Boyle has made films that possess both grit and heart. Trainspotting (1996), Slumdog Millionaire (2008) and 28 Days Later (2002) all carry the typical qualities of a Boyle piece- the background being as important to the plot as the main characters delivering dialogue in the foreground. Everything moves in a Boyle production, that is forces you as the audience to pay attention. So, despite the hallucinogenic drug haze we fall down the rabbit hole into or waking up in an apocalyptic horror of a world taking most of our focus, there is a method to Boyle’s madness. | Danny Boyle |
Ridley & Tony Scott | The Scott Brothers combined are arguably some of the greatest filmmakers of all time. Ridley (the elder of the two, and surviving his brother), and Tony have delivered timeless films in the action, sci-fi, historical and biopic genres beginning their respective careers in the 1960s. While Tony was known for his forays into action and thriller- style films such as the commercially successful Top Gun (starring a lesser-known Tom Cruise in his breakout role) back in 1985, Ridley had a reputation for dabbling in different genres, yet ensuring his trademark filmmaking were a consistent theme in his productions. Some of his science fiction-based work includes the cult Alien series (he is directed the first original Alien film and two of its prequels: Prometheus and Covenant). |
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Robin WilliamsOscar winning actor and Hollywood legendary comic, Robin Williams demonstrated early in his career his talent (and penchant) for impressions of his fellow actors. This skill for comedic manipulation of his voice was appropriate for his roles as the charismatic Genie in the Disney classic Aladdin (1993), Robots’ (2005) and children’s favourite Happy Feet (2006). Williams range in vocal expression made as much of a mark with his face off screen as it did with him on. |
Mark HamillFirst known to audiences as Luke Skywalker from the original Star Wars trilogy, Mark Hamill captured hearts as a teenage heartthrob on the silver screen back in 1970s and 80s. Having a vastly extensive track record in the voice over industry, Hamill’s work dates to 1973, with work the popular 60s/70s cartoons The New Scooby-Doo Movies and Jeannie credited as “additional voices”. In recent years, Hamill has undertaken the iconic role of the Joker in TV, animation and video games starting in 1993 and being one of, if not the most highly sought-after character in his vocal repertoire. |
Troy Baker
Seth MacFarlaneRivalling the late and great Williams mentioned above, this next actor is arguably the most recognizable from his face and voice. Seth MacFarlane’s talents in the acting industry are not simply limited to voice work, but to numerous writing credits. The most popular of his voice and writing work would have to go to his multiple voice over work on his shows Family Guy (1999) and American Dad (2005). In the former of these adult animated comedies, MacFarlane plays bumbling patriarch Peter Griffin, homicidal yet highly intellectual toddler son Stewie and sardonic family dog Brian- two that contain a slight variation of MacFarlane’s distinguishable voice, exaggerating his native Bostonian accent for Peter, adding a RP British accent for Stewie but delivering Brian in his natural speaking voice. |
Phil LaMarrPerhaps lesser known on the screen compared to his counterparts, there is no denial of the richness Phil LaMarr evokes with just his voice. Deep, full bodied and resonant, LaMarr has been commissioned to voice over video game character favourites such as Lee from The Walking Dead by TellTale Games, a role in which he received overwhelmingly positive reviews. Whether it be a stoic samurai (as the titular Samurai Jack), noble superhero Green Lantern or post-apocalyptic survivor thrust into a caregiver position as mentioned above, LaMarr is recognised as one of the living greats of the industry for his innate ability to imbue his roles with gravitas and subtle strength. |
Jim Cummings
Tara StrongTara Strong has been the voice of and for kids everywhere since the late 80s. What is interesting about the unique quality of Tara’s voice is she is known for playing young male characters (think Timmy Turner from Fairly Oddparents, Dil Pickles from Rugrats and Ben Tennyson from Ben 10). This casting choice is notable as it is difficult for male actors to capture that pre-puberty high pitch aspect, which Strong does effortlessly whilst adding a touch of innocence and vulnerability to the character in order to flesh them out. |
Cree SummerAnother Rugrats alumna, Cree Summer’s raspy, distinctive voice has been utilised over several decades. The gravelly quality of Summer’s voice has been manipulated to fit either the gentle precociousness of a young girl (Susie Carmichael from Rugrats), a strong warrior princess (Princess Kida from Disney’s Atlantis) or a malevolent villain such as Medusa in numerous animated series. Older audiences might recognise Cree from her role as Winifred “Freddie” Brooks on the black NBC sitcom A Different World from 1988 to 1993. |
Dan Castellaneta
Hank AzariaKnown as a great mimic in both the screen and voice acting community, Hank Azaria possesses seemingly an endless range of voices, accents, personalities under his belt. Most notably rivalling colleague Dan Castellaneta by embodying several beloved characters on The Simpsons. The most popular of these would be the incompetent Chief Wiggum, jaded barman Moe Szyslak and the Kwik-E Mart proprietor Apu. These three are iconic in that their voices are so vastly different to one another yet are so fitting that it is hard to believe one man is performing them all so convincingly. |
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1. Saoirse Ronan as Bryony Tallis (age 13) in Atonement (2007)
There is no wonder that Saoirse Ronan became one of the youngest actors to ever be nominated for an Academy Award for her performance in Atonement. Furthermore, it is not surprising that Ronan has gone on to become one of the most successful actresses in Hollywood, and this can nearly be foreseen through this early performance. In the role of Bryony, Ronan is subtle and seems to be acting almost entirely through her piercing blue eyes. Her natural, childlike innocence makes her a thoroughly engaging onscreen presence and her ‘outside-in’ acting approach is no doubt something for fellow young performers to be inspired by!

Performing the role of a 12-year-old sex worker in one of the most iconic films ever made certainly must have been a memorable experience for Jodie Foster, who has now become one of the most reputable actresses and now directors of her generation. In the part of Iris, Foster is completely electric: she exudes charisma, charm and total wit. Acting against Robert De Niro as a kid certainly must have been intimidating, but Foster plays it off with total self-assured coolness. This is certainly a performance to look up to when looking for inspiration for onscreen confidence!

Breslin is perhaps best-known as a child actor for her role in Little Miss Sunshine (2007), although she could be seen as even more impressive earlier in her career with her role as Bo in M. Night Shamalyan’s Signs. She gives a staggering performance as the youngest daughter in a family who undergo the strange experience of extra-terrestrials invading their home. Breslin performs in of the most convincing crying scenes: in this dinner scene, we see the totality of her character’s vulnerability and desperation. This is a performance to be inspired by when considering how to compellingly and naturally convey a diverse range of emotions.

It is not at all surprising that the National Board of Review of Motion Pictures invented the ‘Best Performance by a Juvenile Actor’ in the wake of Bale’s tremendous early performance in this film. Bale conveys an outstanding versatility in this role, varying between a spoilt child living with his ex-pat family in Shanghai to an orphan left wandering the streets following the Japanese invasion. We may primarily associate Christian Bale with his strongly masculine, belligerent roles in the later Dark Knight Trilogyand The Fighter,although Empire of the Sunconveys the subtler, understated nature that Bale has about himself. This performance can inspire us through its naturalness and variability.

Despite being a younger age than what the original casting call had requested, Quvenzhané Wallis impressed with her head-strong personality to such an extent that she was cast immediately, and the brief was even changed to adapt to her as a performer. She is truly remarkable in this film: obstinate, assertive and thoroughly mesmerising while playing a young girl living in Louisiana with her father. In spite of her lack of previous acting experience, Wallis commands the screen and demonstrates that sometimes, it is simply a matter of drawing from one’s natural emotions and instincts for a performance.

Brie Larson may have been the performer to win an Oscar for Room, although it seems shocking that the young Jacob Tremblay was not in with a nomination as his role as the protagonist’s son born in captivity. In this film, Tremblay conveys an overwhelming combination of innocence, fear, vulnerability and naivety which would completely overshadow some trained adult actors. The onscreen charisma he shares with Larson is extremely touching, and the intensity that Tremblay manages to generate in his performance as Jack is truly electrifying.
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Part of Americana inheritance alongside oversized milkshakes, baseball and cheerleaders, is the iconic drive-in movie. And recently its found a new home on British soil. The sharing arm rests and overpriced popcorn of traditional cinemas are being replaced with parked cars, radios turned to the max, and mountains of blankets. Yes, the drive-in cinema has its own magic and nostalgia that has been drawing crowds of America since the 1930s, where the first drive-in theatre is credited. |
In this case, size matters. As The Times investigated, Dr Karina Aveyard, a professor and postgraduate researcher at University of East Anglia, explains that they are multiple factors as to why Britain has been slow on the up take. The major issue is space. With large open areas, countries such as the US and Australia have been able to accommodate swapping chairs for cars and doubling up on screen sizes – not the easiest thing to do on an island as small as Britain. |
By staying in your car, audiences are able to easily social distance and have the piece of mind needed as we slowly leave lock down. Many companies have also implemented systems where food can be ordered online or waiters signalled by flashing the hazard lights. Whilst not all new films will be available to watch on the now bigger screen, there is no limit to the variety of film available. |
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BBC One's 'Staged' | Remote FilmingThe first adaption, of course, has to consider alternate routes of filming that allow actors to work from home. David Tennant and Michael Sheen made a very funny comedy for the BBC over Zoom called Staged. Numerous casts have done script read-throughs of their old films, such as the cast of Scott Pilgrim Vs The World. These projects are simply made, but they indicate the potential of an emergent medium for film-makers just waiting for talented film-makers to innovate within. |
'Bubble' Casting Calls
Inventive Locations & TechniquesOf course, there are circumstances where bubble casting simply isn’t possible, whether due to demands of character variation or particularity of script. Another plausible solution is to select settings in which social contact can be reduced. This means selecting scripts which can be filmed outside, or films which can be filmed within a single building. Crowd scenes are out of the equation for the time being as crews can trick the eye with two handed scenes to seem the actors are close together! In either case, be on the lookout for post-apocalyptic films; it is only a matter of time till we see the story of Covid making blockbusters! |
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Image: The Undertaker by Yael Bartana | As found on the official website for the festival Festival Director Cíntia Gil says "This year’s programme brings together various cinematic and narrative forms, landscapes, human existences and ways of expression. It reflects on our contemporary world through its present and its past, and a multitude of sensibilities. The crisis we are living now point, and not for the first time, to the systemic failure of institutions and nations, and their need to be equitable in their capacities to give respect to life, freedom and care. It has given us an acute sense of what needs to change and a desire for stronger bonds between us. This programme is our contribution to that: it comes from a collective effort to resist hegemonic views over cinema and its relation to the world and to our lives. It represents multiple conversations we want to continue in the near future, through different programmes and forms." |
With the iconic crowded pubs, scuffles on the street, and pre-watershed kissing, soaps are certainly not always social distancing friendly. With the lock down beginning in March, filming of these iconic series had to shut down indefinitely. Whilst most had a limited pre-recorded footage, to stay relevant and reflect society, filming was never done too far in advance. Thankfully , with restrictions starting to slowly rise, filming may be able to continue sooner rather than later. Below however are the restrictions and limitations soaps will have to abide by. |
Limited Crowds
To deter the spread of corona, scenes that normally would call for large crowds are to be cut completely. Through some readdressing of scripts and swapping around setting, characters will now be seen in only two or three. Their interaction however will not include any intimate scenes . Already banned on Corrie before the pause in productions, all soaps will follow the lead and remove any kissing, hand holding, and physical intimacy indefinitely – sorry Hollyoaks! Not only are the regular cast limited on set, but there will have to be a limitation of extras. Already Neighbours have gotten experimental in how they build up background characters. Sharon Johal (who plays Dipi on Neighbours) has reported that the set is using their own receptionist and admin staff to fill the roles and avoid brining in external people. |
Postponing Story Lines for Older & Vulnerable Actors
Limitations On Location
Alongside limiting the number of characters per scene, scene are limited to location. Whilst soaps tend to use a mix of studio and on-location scenes, for the time being all shots will be done in-studio. This allows the crew to create a controlled environment, allowing a safer place to work. It looks as if the stories we love will now unfold in the living rooms of characters, with some 1 on 1 conversation. |
Follow Government Guidelines
Like all places of work, there is a responsibility for each and every cast and crew member to be safe. This includes some of the simplest measures – wash your hands and socially distance. To achieve this and still have an authentic representation of real life, Neighbours have been getting creative with the camera. Whilst they have already started filming, all actors are told to adhere to the 2 metres apart rules. Through some clear angles and camera tricky – the characters still appear close. |
Writing in Covid-19 Storylines
Neighbours have reportedly decided to avoid the story line altogether, noting that by the time the episodes end, the subject will be outdated – which is certainly positive thinking. Corrie on the other hand has confirmed it will include the pandemic. Whilst this will explain the streets shutting off Roy’s cafe and the Rovers, writers are not making it a dominating story line.
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Amongst these holts on production are many fan favourites Netflix originals. Ted Saeandos however has recently written an article for LA Times that has outlined how the streaming giant plans on reinstating some productions. With its rapidly growing success and large following, Netflix had a dramatic effect on the industry in the past. One of the more unique aspects of Netflix is their embracement of cross-cultural and international productions that are available on its service. This includes series like ‘Money Heist’, ‘Call My Agent!’, and ‘Kingdom’. And it turns out that this global outlook is a big benefit when working around corona. |
For productions to go forward safely and confidently, tests for Covid-19 are especially necessary and following social distancing procedures South Korea and Sweden have a limited supply of tests. For South Korean series such as ‘Move to Heaven’ and ‘Love Alarm’, to go forward, all cast and crew have their temperature checked regularly. If any sign of infection is present, production is paused, and testing is immediate. In Sweden they have gone to further extent by all cast and crew going through a voluntary 14-day self-quarantine before the shoot of romantic comedy series ‘Love and Anarchy’. There quarantine will continue through the 11-day shoot. Whilst testing is widely available in Iceland, similar procedures are being adhered. After all negative tests came back from the cast and crew of the science-fiction series ‘Katla’, everyone still has their temperature taken first thing in the morning. All these productions will follow similar standards of hygiene – hand and surface sanitisation, social distancing where possible, and single-use, disposable makeup applicators. |
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