If there’s ever been a better time for young people to get into acting, it’s now.
Across Yorkshire and the North of England, major productions are putting young talent front and centre. From powerful TV dramas to award nominated short films, the industry is actively searching for authentic, expressive young performers with personality, confidence and creativity.

And the biggest proof of that? The recent BAFTA success stories coming straight out of Yorkshire.

Yorkshire Is Becoming a Major Hub for Young Talent
The UK film and television industry is changing fast. Casting directors are no longer only looking in London. More productions are filming across Yorkshire, Manchester and the North, creating huge opportunities for local young actors.
Netflix drama Adolescence dominated the 2026 BAFTA TV nominations with 11 nominations, 4 awards and including recognition for young actor Owen Cooper. IPM are pleased for our young talent who secured their first ever TV role as a part of the series 
Meanwhile, Rocket Fuel, a Yorkshire-made short film about two kids turning an abandoned car into a spaceship, earned a BAFTA nomination after winning the Yorkshire Film Competition at Leeds International Film Festival.
Even Crongton has helped shine a spotlight on young northern performers and authentic youth storytelling, proving there is a growing demand for fresh young talent from real communities.
This matters because it shows children and teenagers that opportunities are no longer “somewhere else”. They are happening here.

Acting Builds Confidence That Lasts a Lifetime
One of the biggest reasons parents choose acting classes for their children is confidence.
Acting encourages young people to:

• Speak clearly and confidently
• Express emotion in a healthy way
• Develop communication skills
• Learn teamwork and discipline
• Build resilience
• Step outside their comfort zone

For many children, acting becomes the place where they finally feel comfortable being themselves.
Whether a child dreams of starring in television or simply wants to grow in confidence socially, acting provides real world skills that stay with them for life.

Screen Acting Is More Accessible Than Ever
Streaming platforms and UK broadcasters are producing more content than ever before. That means more productions, more auditions and more opportunities for young actors.
Shows like Adolescence prove that young performers can carry emotionally complex, award winning stories.
Casting directors are actively searching for natural young talent with authenticity, personality and emotional depth. They are not always looking for polished performers. They want believable people who can connect with audiences.
That is why training early matters.

Acting Helps Kids Develop Creativity Away From Screens
Modern children spend huge amounts of time online. Acting classes give them something different.
They get to:

• Collaborate with others
• Use imagination
• Create characters
• Film scenes
• Perform on camera
• Work as part of a cast

Instead of passively consuming content, they become part of creating it.
For many young people, acting becomes a positive outlet that improves focus, motivation and self belief.

The Industry Needs More Young Talent
The success of projects like Adolescence and Rocket Fuel has highlighted something important. The industry is crying out for talented young actors from all backgrounds, especially from the North.
Casting directors want real young people with individuality, energy and authenticity.
The next breakout star could be sitting in a classroom in Yorkshire right now.

Why Start Acting Young?
Starting early allows children to:

• Become comfortable on camera
• Learn professional set etiquette
• Gain experience auditioning
• Build confidence naturally over time
• Develop performance skills before adulthood

Most importantly, it allows them to have fun while learning.
The best young performers are often the ones who started because they enjoyed it, not because they were chasing fame.

2026 is an exciting time for young actors in the UK.
With BAFTA recognised productions like Adolescence and Rocket Fuel showcasing incredible young northern talent, there has never been more opportunity for children to step into the industry.
Acting is about far more than becoming famous. It builds confidence, creativity, communication skills and lifelong memories.
And for some young people, it might just be the beginning of something extraordinary.

Founded by Daniel Katz, David Fenkel, and John Hodges in 2012, A24 is an independent film and television production company that specialise in making distinctive films that gain large and passionate fanbases. Their unique array of work includes The Whale (2022), We Live in Time (2024), Marty Supreme (2025), and Highest 2 Lowest (2025). As of the 98th Academy Awards, A24 has been nominated for 98 Academy Awards and has won 21 in total.


Where did A24 come from?/How was A24 created?
A24 was founded on August 17, 2012; its name inspired by the Italian motorway Daniel Katz was driving on upon deciding to create the company. The initiative was to distribute films with idiosyncratic perspectives. Their logo and motion graphic intro was created by a New York based design agency, GrandArmy, in the same year A24 was founded.


2013 was a huge year for A24. The company made their first theatrical release, A Glimpse Inside the Mind of Charles Swan III (2013), which was followed by movies including Spring Breakers (2013), The Bling Ring (2013), and The Spectacular Now (2013). That same September, A24 and DirecTV Cinema agreed on a $40 million (~£26 million) deal where day-and-date releases would be offered by DirecTV Cinema 30 days before A24’s theatrical release. Under this deal, the first film to be distributed was Enemy (2013). Things kept getting better that year for A24, as their distributed films would become available on Prime Video after entering yet another deal, with Amazon Prime.


A24 and Apple announced on November 18, 2018 that they entered a multi-year partnership, where A24 would make an array of original movies for Apple, without affecting films produced or acquired by A24 outside of the deal. The first films distributed under this deal include On the Rocks (2020) and The Tragedy of Macbeth (2021), which are both available to stream on Apple TV.


Fun Facts:

• Marty Supreme (2025) is A24’s highest grossing film both domestically at $96 million (~£73 million), and globally at the box office with $180 million (~£136 million).
• Lady Bird (2018) and Eighth Grade (2018) tied as A24’s highest rated films, both with 99% on Rotten Tomatoes.
• A24 launched a podcast on February 28, 2018: ‘The A24 Podcast’, which are typically discussions between two guest members from the Film & TV industry. As of early 2026, there are over 55 episodes available.
• Minari (2020) earned a record of 6 Oscar nominations in 2021.
• A24 became the first independent studio to win Best Picture and Director, as well as Best Actor in a Leading & Supporting Role, and Best Actress in a Leading & Supporting Role at the 95th Academy Awards in March 2023.

How is A24 different from other film production companies?
A24 has built a niche brand, their work often recognisable from characteristics such as complex plots, actor-based filmmaking, and darker tones. Their productions frequently encourage audiences to think and reflect, and are often unpredictable. Though they are now moving into making more commercial and mainstream productions, A24 is well known for their dedicated, auteur direction, captivating cinematography, and meaningful themes. Typically, their cinematic style shifts between surrealism, ambiguity, intricate character exploration, and many more distinctive styles.


A24 is a champion at producing psychological thrillers and horrors, more specifically ‘elevated horror’ films. They excel at making suspenseful movies within this genre that can be more disturbing and exhilarating to watch. They masterfully combine unorthodox visuals with detailed character focused storylines, which entrance their audiences. Some of their notable horrors include It Comes at Night (2017), The Lighthouse (2019), and Heretic (2024).


Somewhat similar in terms of tone and darker moods, A24 have made some notable war movies including Causeway (2022), Civil War (2024), and Warfare (2025).


As well as making dark and thrilling films, A24 brandishes their diversity by also producing LGBTQ+ inclusive movies. Whilst they occasionally still embed their signature themes and tropes to these films, these films focus heavily on the characters and their experiences, bringing raw, nuanced and emotional performances to the screen. Their selection of LGBTQ+ inclusive films include Parthenope (2024), Sorry, Baby (2025), and Pillion (2025).


How do A24 market themselves and interact with audiences?
When A24 started out, they opted for cheaper digital marketing and social media, rather than traditional TV media advertising, billboards, and radio. They aimed to save money by taking advantage of the increasing popularity of memes and images on social media, and using them to promote their films’ cinematography and art direction.


Nicolette Aizenberg joined A24 from 42West as the head of publicity. The company raised its line of credit from $50 million (~£35 million) to $125 million (~£87 million) to expand their operations, which ultimately meant having more budget for marketing and promotions.


A24 set up auctions for fans to bid on costume items, props, and set pieces from their film productions, which started in 2020. Some of the profits have been donated to Food Bank For New York City, NYC Health + Hospitals, Asian Mental Health Project, and many more charities, depending on the auction’s featured film(s). In 2022, A24 created a membership subscription called ‘AAA24’, where the benefits for members included exclusive and early access to merchandise, discounts for merchandise, and a zine every 4 months.


What are some of A24’s best films?
A24’s filmography is vast, and their ‘best’ films are subject to opinion. However, here are some of their most popular releases as well as award winning productions:

• Ex Machina (2014) - Won the Academy Award for Best Visual Effects.
• Room (2015) - Won the Academy Award for Best Actress.
• Moonlight (2017) - Won the Academy Award for Best Picture, Best Adapted Screenplay, and Best Supporting Actor.
• The Killing of a Sacred Deer (2017) - Has been nominated for and won a number of film awards.
• Everything Everywhere All at Once (2022) - Won the Academy Award for Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, and Best Film Editing.
• The Whale (2022) - Won the Academy Award for Best Actor and Best Makeup and Hairstyling.
• Talk to Me (2022) - Has been nominated for and won an array of film awards.
• The Zone of Interest (2023) - Won the Academy Award for Best International Feature Film and Best Sound.
• The Brutalist (2024) - Won the Academy Award for Best Actor, Best Original Score, and Best Cinematography.
• Marty Supreme (2025) - Nominated for 9 Oscars.

​Ultimately, A24 has carved out a clear identity in an industry often driven by formulas. From its early focus on bold, unconventional storytelling to its growing presence in more commercial spaces, the company has remained rooted in creative risk and strong artistic vision. Its ability to balance originality with audience engagement has not only built a loyal following but also reshaped expectations of what independent film can achieve. As A24 continues to evolve, it stands as a reminder that distinctive voices and thoughtful filmmaking still have a powerful place in mainstream cinema.

A new biopic about one of Britain’s most influential scientists is currently filming in South Yorkshire. Power & Glory explores the life of Michael Faraday, the 19th century chemist and physicist widely regarded as the father of electricity.


Written by Murray Watts, the film traces Faraday’s journey from a modest upbringing in London to becoming a pioneering force in the study of electricity and magnetism. The cast includes James Cosmo, Andy Harrison, Conor Sánchez and Gaia Wise, with filming taking place at Wentworth Woodhouse and Abbeydale Industrial Hamlet.


Sánchez, who takes on the role of Faraday, describes the project as an exploration of the man behind the discoveries, focusing on both his humanity and his scientific legacy.
Faraday’s early life was marked by poverty and limited formal education. As a teenager he was apprenticed to a bookbinder, where his curiosity was sparked by reading about electricity and magnetism. This self driven learning eventually led him to attend lectures by Humphry Davy, setting him on a path that would change scientific understanding.
Davy, played by Harrison, is portrayed as both a mentor and a complex figure in Faraday’s journey. His invention of the Davy lamp helped save countless miners’ lives, while his evolving relationship with Faraday offers rich material for performance.
For Watts, the project has been a long time coming, with the screenplay taking nearly two decades to reach production. Seeing the story brought to life on set has been an emotional experience, as scenes once imagined in isolation are now fully realised.
Filming has presented some unique challenges. Scenes shot at Abbeydale have had to work around passing trains, while the historical setting of the story means the production avoids modern electrical lighting entirely. Director Norman Stone has embraced this, using candlelight and shadow to create a distinct visual style.


The production has made extensive use of Wentworth Woodhouse, one of the largest stately homes in the UK. Its scale and variety of interiors have allowed multiple scenes to be filmed in one location, adding both authenticity and efficiency to the shoot.


Power & Glory is expected to premiere in Yorkshire later this year, bringing Faraday’s story back to the region where much of it has been brought to life on screen.

The new Harry Potter television series is expected to follow the books closely with each season covering one book. That means the casting process will continue for years as new characters appear in the story. While some major roles have already been confirmed the casting team will still need actors for many characters who appear later in the books or who play smaller but memorable roles throughout the story.
Understanding which characters may still be cast can give actors a better idea of the types of roles productions will be looking for.

Characters that may still be cast in the early seasons
The first two books introduce a wide range of Hogwarts students, magical creatures and adult characters who all require casting. Many of these roles are perfect opportunities for emerging actors.
For younger actors and teens this can include characters such as Colin Creevey and Millicent Bulstrode. These are students at Hogwarts who interact directly with the main trio during the events of the second book.
Another important role introduced in the second book is Moaning Myrtle. This ghost character becomes part of several key scenes and is known for her dramatic personality.
The series will also need actors for magical creatures and unusual characters including Dobby the house elf, Aragog the giant spider and the teenage version of Tom Riddle who appears through the enchanted diary.

One of the biggest guest roles in the second story is Professor Gilderoy Lockhart. This character is charismatic, flamboyant and comedic, which makes it one of the most distinctive adult roles in the early part of the series.
There are also Hogwarts figures who appear throughout the school setting such as Madam Pince in the library, the ghosts of Hogwarts including Nearly Headless Nick and other students across the houses who populate classes and Quidditch teams.

Major characters who appear later in the series
Because the television show is expected to run for multiple seasons there are also huge roles that will not appear until later books. These are characters many actors will be hoping to play as the series develops.
Some of the most iconic include Lord Voldemort, Bellatrix Lestrange, Sirius Black, Remus Lupin and Peter Pettigrew. These characters do not appear fully until later parts of the story which means their casting announcements may come years after the first season begins.
Other fan favourite characters introduced later include Luna Lovegood, Nymphadora Tonks, Cedric Diggory, Cho Chang and Dolores Umbridge.
Because the series is designed to tell the story across many seasons the casting process will continue to introduce new performers as the world expands. So check out our top tips below to make sure you're ready. 

Understanding the tone of the series
If you are preparing for auditions connected to a project like this you need to understand the world you are stepping into. Watch the films carefully. Read the books if you can. Pay attention to how characters behave rather than trying to copy performances.
Casting directors are not looking for impressions of the original actors. They are looking for believable performances that fit naturally into the tone of the story.


Self tape skills matter
Large productions now rely heavily on self tapes during the early stages of casting. This means actors need to feel confident performing on camera with a simple home setup.
Good lighting, clear sound and a neutral background all help but the most important thing is a truthful performance. If you can connect to the camera and make the scene feel real that will always stand out.


Professional headshots are essential
Your headshot is often the first thing casting directors see when submissions arrive. A strong headshot should look like you on your best day and reflect who you are right now.
Images that are heavily edited or outdated can create confusion when casting teams are sorting through thousands of submissions.


Training gives actors an advantage
Training is often what separates actors who book work from those who struggle to get seen. Strong training helps actors take direction quickly, understand character and perform confidently under pressure.
Casting teams notice actors who arrive prepared and easy to work with.


Preparing for opportunities like this
Projects connected to major franchises attract huge numbers of submissions. The actors who stand out are rarely the ones trying to do something extreme or attention grabbing. They are the ones who are consistent, prepared and professional.


At IPM Acting Academy we focus on helping actors prepare for opportunities exactly like these. Members receive access to open casting calls, discounted professional headshots and regular screen acting training.
The goal is simple. When castings for projects like this appear you are not trying to catch up. You are already ready.
Actors often focus on the moment the casting call appears. In reality the actors who succeed are the ones who prepared long before that moment arrived.

The evolution of acting, isn’t strictly linear. It’s an interwoven development of artistic expression, audience desires and technological advancements, designed to flow with us as we grow. From the climb of the silent era, littered with over-the-top performances, to an appreciation of the softness and subtlety of modern performances, a new question emerges. Are actors getting better, or is it just a shifting of our preferred style? Acting approach and methodology continues to expand alongside cultural progressions, technological innovations and the role of an audience in film. But how are we supposed to navigate the industry, when it is constantly changing? Well, like all historical evolutions, we must look into the past, to learn about the future.

THE ERA OF EXPRESSION
Silent films dominated the industry in the early 1920s. Not just because of the technological limitations of its time, but due to the devotion to the ever-present art form, theatre. The mass appeal of visual storytelling, exaggerated physicality and small population of cinema icons, such as Charlie Chaplin and Buster Keaton cemented a cultural appreciation of bringing creativity and escapism to the public. Acting was seen as a visual language, with the approach being that emotion should be seen and not heard. Performers relied entirely on their expression, gestures and expanded body language to clearly and effectively communicate without words. This unspoken language played upon the influences of theatre, where obvious emotions were necessary to carry the story forward. This made cinema highly accessible, transporting people into worlds unlike their own. It reflected societal issues, through an insightful yet enjoyable lens. Limited technology prohibited creative and artistic freedom, through fixed static cameras, forcing actors to perform within the boundaries of those frames. Camera remained at a distance, constraining expression to be recognisable and amplified. The black and white film colouring emphasised the need for visual clarity and contrast, compelling actors to utilise mannerisms and distinctive archetypal performance looks to explore narratives. Actors used these confines to drive storytelling and creativity, using the heart of performance as its medium. They paved the road for universally expressive and impactful stories, commanding the beginning of the film industry, and bargaining notoriety for being the starring role in the creation of storytelling.

HEARING YOUR VOICE: THE SHIFT TO TALKIES
With apprehension, the ‘talkies’ arrived swiftly in the 1930s, to a much resistant audience. Foreseeing the compromise of the beginning of cinema, actors and filmmakers showed initial hesitation to the change. The introduction of sound completely altered acting, voice now significantly mattered. Actors were compelled to include their theatrical, performative expressions, but now, with an understanding of the restrictions of microphones and spoken delivery. Performances emphasised clarity, diction and naturalistic dialogue, altering the audiences wants for emotion being visual, and not absorbed through language. Vocal training became imperative due to the principles of dialogue delivery; a stiff or bad vocal quality would inhibit actors and restrain their outcome performance. The transition towards vocal realism for actors was finding its feet, fighting against the technical constraints of filmmaking technology. This completely shaped performance styles, discovering a hidden tension between engaging in visual and captivating performances, whilst preserving the correct vocal delivery and hitting the marks of sound controls. The ‘talkie’ era also initiated the blend between genre acting, and actor stylisation. Navigating the experimental and embellished nature of a musical, requiring energetic performances, completely juxtaposed the more grounded, dialogue-driven narratives of drama films. Unearthing the balance between the genres necessitated an understanding from the actors in exploring projected visual emotion and balancing hidden internal storytelling. These initial ideas and methodologies continued to develop artistic acting styles over the decades and would commence the basis of our acting practices in the modern day.

THE RISE OF METHOD ACTING: SHOW DON’T TELL
If audiences preferred theatrical deliveries, then why did method acting arise? Considering the shift from films showcasing visual expression to narratives with emotional intensity and grounding, the implications of method acting were already visible from the beginning. Post-war realism pushed audiences to reflect on the economic and emotional destruction of society, necessitating a depicting of the hard truths and real portrayals of stories with grit and heart. Acting became internal. Psychological and personal memory became key when considering actor delivery and performance aimed to feel lived-in, rather than performative.
This began to blur the lines between actor and character, generating a new appreciation for new method acting performers, such as:

• Marlon Brando, known for A Streetcar Named Desire, (1947).
• Montgomery Clift, known for Red River, (1947) & A Place in the Sun, (1951).
• John Garfield, known for Four Daughters (1938) & Body and Soul (1947).

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These actors fostered a new acting style. Performances became less polished, more spontaneous, with increased use of emotional unpredictability leading to characters feeling more complex and real. Technology mirrored this, letting actors take moments, mumble and change their tone and pace, reflecting this consideration of real, individual people. Facing criticism for the excessive risks, an ongoing debate emerged between the need for technical acting versus emotional exploitation and immersion. This discussion continued further than the era it originated from, with modern conversations around the blurring lines between appearing real and feeling real.

TIME FOR A CLOSE UP
Camera sees everything. This is the sentiment behind modern acting practices, which teaches performers to understand their developing relationship with the camera, and its subsequent manipulation which actors can use to convince an audience of their characters internal dialogue. Film and television shooting techniques incentivise actors to pour their emotional work into a physical, technical understanding. A close-up, rewards micro-expression. Oversized, exaggerated gestures become unnecessary, and often, distracting. Imploring a performative action, without the comprehension of the motivations and intentions behind it, offers a performance that feels ambiguous, yet excessive.
Modern acting sits and often happens in the eyes, not the body. Giving the audience this openness and granting them permission into knowing a character’s internal thoughts deepens their connection from the audience to the performer. Less, really is more, when considering internal camera work. The precision of technique, revealing and limiting honesty through an actor’s gaze reinforces the belief that acting must come from within. In a way, the camera acts as another character, and should be sewn with the same thread of performance that an actor wields. What wasn’t available during the initial beginnings of cinema, is now a widely used tool to showcase character and vulnerability.

GENRE SHAPES STYLE
There is no single acting style. Performances alter and shift to adapt to the tone and rules of the genre. Believability is the only continuing concept between performances, as without believability, actors fail to understand and accurately portray their characters motivations and place within their given world. Subtlety emphasises bringing a sense of naturalism and honesty to the characters. Authenticity produces clear delivery, that feels moment to moment, rather than rehearsed. An audience expects this when watching performances, as it caters to their desires of seeing relatability and truth on screen. In the genre of drama, small expressions and restrained delivery feel most ‘real’, as it aims to mirror the constraints and uses of real life. In others, stylisation shifts to match the narratives, like heightened physicality in comedies, and intense tension in action films. Performances can feel larger but still maintain control and restriction. Each genre creates its own set of rules, of which an actor can use as a guideline when constructing performance. Actors must reflect the tone of the world, and consistency takes precedent as performances must feel like they have lived in the film’s universe. Taking this argument, believability isn’t always maintaining realism, its allowing characterisation and performance to fit within the context of the genre and world. Actors can and do break these subliminal rules to suit their characters internal worlds, which produces more compelling, richly developed profiles that their performances can stem from.

GLOBAL INFLUENCES: GOING BEYOND HOLLYWOOD
Hollywood isn’t the cinema oligarch as it once was. With the rise of the silent cinema business in the 1900s, Hollywood swiftly shot to the top as the leading filmmaking and production innovators. Since then, expanding film markets have opened across the globe, and with it, a new emerging influence is approaching, cross-cultural storytelling. Different regions bring forth their own unique traditions, techniques and tactics. The influence of diverse and local narratives, mixed with the rich history and cultural influences combines a hybrid that explores filmmaking like we have never seen before. These areas transport new technologies that change the way we embark on projects. The expanded definitions of acting instigate a challenge to the audience to subvert their assumptions about what makes ‘good acting’. Global content reaches far wider than the traditional Hollywood distribution, increasingly influencing diversity and engagement with multi-linguistic projects. Styles shift, dominance over particular qualities disintegrates and with streaming at the forefront of global distribution, easy accessibility of cultural stories to a worldwide reach is increasingly prevalent. Global film markets like India, China, France continue to expand their sphere of influence over Hollywood studios by promoting projects which promote cultural inclusivity and local stories. Acting is no longer defined by a single standard. It is the culmination of a dominating shift between finding what’s real and representing what’s truthful. And for actors embarking on their journey now, this provides a promise that every story is worth telling, in its own way.

DOES TECHNOLOGY CHANGE PERFORMANCE?
Modern filmmaking technology has altered the way performance and character is developed. Technologies such as CGI, motion capture and green screen fundamentally change the way actors perform. Actors no longer should comprehend their performance to camera; they must recognise and become immersed in digital worlds that haven’t been created or even imagined yet. Green screen environments mean that actors must work in empty spaces, with no real set or structure to bounce from. Discovering that emotional connection and finding chemistry is innately natural for actors, but when scenes are filmed separately, and actors are unable to interact, there demands good imagination and believability awareness to be able to build that connection and relationship for the audience. Maintaining eyelines, object awareness and character motivations come into play when striving for authenticity, which is needed when the world your character is in, is over-stylised. With advanced technology, comes a balancing act between using imagination, and adaptablitiy. Technology redefines what it requires for actors, now combining traditional technique practices with the influx of new and artificial filming methods, meaning that creatives must consider what the needs of each moment is, and how it should be executed.

AGE OF AUTHENTICITY: BLURRING THE LINES
Our new social currency is relevance. Sharing content, discussing theories becomes the monetisation of importance and social building, and in consequence, becomes the dominating discipline of building authentic relationships with an audience. This begins to shift productions towards catering specifically to audience tastes, which often lean towards relatability and realism. Audiences respond well to realistic characters, that are grounded in naturalism and relatable emotion. In portrayal, this pushes actors to express their character truths, with small, gestured work, micro-expressions and realistic dialogue delivery. This honours emotion, over the technique heavy stylisation that feels ingenuine and fake.
Actors, more than ever, begin intertwining their characters and their actor persona. Developing an actor style becomes the conclusion of social influence over characters, and exploration of personal technique. These lines begin to falter between imagined personality, and real-life facades. With this shift, the continuation of naturalistic, authentic acting remains essential. Leveraging your public image, with the character persona, lends to an authentic system alignment which focuses on true symbiosis between both roles, pushing the audience to recognise this connection. This synergy defines adaptability, relatability and emotional honesty as the true guiding points of performance, dictating current acting trends towards authenticity.

WHERE NEXT?
The way actors work, is constantly changing. The demand for new technology, the rise of AI and assisted production tools require actors to maintain imagination and flexibility when performing. Despite this, the modern audience still craves realism. Over stylised and exaggerating performance are widely criticised online, pushing actors to focus on finding that emotional inner world and exploring interactions through a naturalistic lens. Equally, the increasing demand for representation and inclusion on screen is rampant, with responsibility and nuance being considered as the next iteration of screen culture. This begs the question, does this mean acting in the future, will become more human, or revert back to theatrical? With the journey of acting styles, and the history of cinematic filmmaking, a conscious conclusion would be a hybrid of both. Audiences will continue to consider naturalistic performance as the preferred style, but the intriguing development of technology will always follow. Finding that balance between both, is where the future of acting styles will sit and the industry clearly welcomes this relationship fondly.


THE END: MIRRORING SOCIETY
The film industry has always mirrored the wants and desires of society, and acting styles is no stranger to that wish either. From a non-linear evolution of performance preference, it’s evident that there is no clear best acting style. Each era reflects the communication and creativity of its time, and each path between considers the influence of the world around it. The technological advancements, audience wants and examination of artistic expression will always adapt. Looking towards the future, we must remain eager to see what the future brings, and the continued progression of acting styles, as we evolve with them.

2026 is shaping up to be one of the biggest years for film in over a decade. After a few uncertain years for cinema following the pandemic and industry strikes the global film industry is returning in a big way with major studio releases, massive franchises and ambitious original films. For actors this matters more than people might think. Every large film creates a ripple effect of opportunity. Big productions require supporting actors, background performers, stunt teams, voice actors and a huge number of creative professionals across the industry.

For actors training today this year gives a fascinating insight into where the industry is heading and what casting directors are actively looking for.

​The return of blockbuster franchises
Franchise films remain one of the biggest driving forces in cinema. 2026 sees the return of some of the largest franchises in the world including Avengers Doomsday, Spider Man Brand New Day and Dune Part Three. These films dominate the global box office and require enormous casts ranging from A list leads through to character actors and supporting roles.
Large scale franchises often introduce new characters and expand their worlds which creates opportunities for emerging performers. Marvel films in particular have historically launched the careers of many actors by introducing relatively unknown performers to global audiences.

For actors this means versatility is key. Casting directors working on major franchise films often want performers who can handle action, emotional storytelling and large scale visual effects productions.

The rise of epic storytelling
Another trend in 2026 is the return of large scale epic storytelling. Christopher Nolan’s The Odyssey is one of the most anticipated films of the year and brings an ancient myth to life with a huge ensemble cast and an enormous production scale. The film follows Odysseus and his long journey home after the Trojan War and has already been labelled one of the most ambitious productions in recent years.

Epic films like this require a wide range of actors from warriors and royalty through to villagers and travellers. Productions of this size often involve hundreds of performers both on screen and in background roles. For actors this highlights the importance of strong character work. Even a small role in an epic production must feel authentic and believable.

Science fiction continues to dominate
Science fiction remains one of the strongest genres in modern cinema. Films such as Project Hail Mary and Dune Part Three continue the trend of ambitious sci fi storytelling that blends complex themes with blockbuster spectacle.

Sci fi productions often rely heavily on physical performance and imagination. Actors frequently perform against green screens or motion capture technology which requires a strong sense of focus and creativity. For young actors training today this is an important skill set as many modern productions rely on visual effects.
For actors this means training that develops imagination and physical performance can be incredibly valuable.

Animation and voice acting opportunities
2026 is also a major year for animation with films such as Toy Story 5, Minions 3 and the next Super Mario film arriving in cinemas. Animation remains one of the most stable and successful areas of the industry and voice acting has become a highly respected discipline within the profession.

Voice work requires a very different skill set to screen acting. Performers must convey emotion, character and storytelling entirely through their voice. For actors looking to diversify their careers voice acting can open doors to video games, animation and audio dramas.
Actors who develop strong vocal performance skills often find themselves with a much wider range of opportunities.

The continued popularity of horror
Horror remains one of the most reliable genres in cinema and 2026 continues that trend with films like Scream 7 drawing audiences back to the big screen. The long running franchise continues the Ghostface story while introducing new characters and younger casts.

Horror productions are often where many actors gain early experience. These films frequently cast emerging talent and are known for launching the careers of many performers who later move into larger productions.
For actors this shows that every genre has value. Smaller genre films can often lead to significant career momentum.

Original films still matter
While franchises dominate headlines original films are still an important part of the industry. One example is Digger, an ambitious film starring Tom Cruise which explores a global disaster scenario and is expected to be one of the most ambitious original productions of the year.

Original films allow actors to explore complex characters and stories that are not tied to existing franchises. For many performers these projects provide the opportunity to showcase deeper dramatic work.
Casting directors often look for actors who can bring authenticity and originality to these roles.

A huge year for actors entering the industry

The most important takeaway from the 2026 film slate is simple. When the industry is producing more films there are more opportunities for actors.
Large blockbuster films create thousands of jobs across the industry while smaller productions and streaming projects continue to grow. Even when a production is led by established stars there are still dozens of roles being cast across every department.

For young actors this is an exciting time to be training. Casting directors are always looking for fresh faces who bring authenticity, dedication and strong performance skills.
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At IPM Acting Academy we always remind our actors that success in this industry is about preparation meeting opportunity. The films released this year will inspire the next generation of performers and many of the actors working on tomorrow’s biggest productions are training in classes today.

The future of film is constantly evolving and for actors who are willing to train, develop their craft and stay ready, the opportunities are endless.

​The 98th Academy Awards proved to be a monumental occasion. With Sinners nominated for a record-breaking sixteen awards, the first Irish woman to win a Best Actress award, the first woman and first woman of colour to win an award for Best Cinematography, and the introduction of the Academy Award for Achievement in Casting, it truly was an event to remember. Alongside One Battle After Another (dir. Paul Thomas Anderson) receiving the award for Best Picture, here are some more of last night's winners:




Michael B. Jordan - Actor in a Leading Role (Sinners)


Jordan began his career as a child model in commercials, before landing roles in shows such as The Sopranos and The Wire. After a critic stated Jordan reminded him of a “young Denzel Washington” when reviewing his performance in Fruitvale Station, Michael B. Jordan was named as a breakout star.


With his dual performance as criminal twin brothers Smoke and Stack, Jordan won his first Oscar at last night's ceremony. Similarly known for his performances in the likes of Black Panther and Creed, Jordan acknowledged fellow Black Oscar winners in his acceptance speech:


“I stand here because of the people that came before me. Sidney Poitier, Denzel Washington, Halle Berry, Jamie Foxx, Forest Whitaker, Will Smith. To be amongst those giants, amongst those greats, amongst my ancestors, amongst my guys.”


Other nominees were: Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), and Wagner Moura (The Secret Agent).




Jessie Buckley - Actress in a Leading Role (Hamnet)


As a child, Buckley participated in school productions and acting workshops and later appeared as a contestant on I’d Do Anything (a talent show centred around the search for an unknown actress to play the role of Nancy in the 2009 West End revival of Oliver Twist) on which she came second. She later attended RADA, a prestigious drama school in London.


Portraying Agnes Shakespeare and starring alongside Paul Mescal, Buckley is the first Irish woman to win an award for Best Actress in a Leading Role. Buckley thanked fellow female professionals during her speech:


“Thank you to the incredible women that I stand beside; I am inspired by your art and your heart, and I want to work with every single one of you.”


Casting director and nominee for the new Best Casting award, Nina Gold was the one to cast Buckley in Hamnet. In an interview for The Credits, she said:


“I have always loved Jessie Buckley. I’ve cast her a couple of times before, and I’ve watched every single thing she’s ever done. I’ve gotten to know her quite well over the years. She’s so phenomenal, and everything about her seemed to cry out that she should be Agnes.”


Other nominees were: Rose Byrne (If I Had Legs I'd Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), and Emma Stone (Bugonia).




Sean Penn - Actor in a Supporting Role (One Battle After Another)


At the start of his career, Penn utilised his father’s status as a successful director in order to cement his own place in the film industry as an actor, appearing in episodes of Little House on the Prairie, and creating short films with his childhood friends (including Charlie Sheen, another successful Hollywood actor).


Now a three time Academy Award Winner, Penn was not present for the event, with Kieran Culkin collecting the award on his behalf.


Other nominees were: Benicio Del Toro (One Battle after Another), Jacob Elordi (Frankenstein) Delroy Lindo, (Sinners), and Stellan Skarsgård (Sentimental Value).




Amy Madigan - Actress in a Supporting Role (Weapons)


Madigan took part in school plays as a child, before attending acting school as an adult. She is known for her roles not only in film and television, but also on Broadway- her most notable theatrical role being Stella in A Streetcar Named Desire (in which Alec Baldwin also starred).


With a forty year gap between her other nomination in 1986, Amy Madigan was overjoyed to finally win the award and thanked her family and her colleagues for their support. Her dynamic performance as Aunt Gladys in Weapons, was acclaimed by critics and audiences alike.


Other nominees were: Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleaas (Sentimental Value) Wunmi Mosaku (Sinners), and Teyana Taylor (One Battle after Another).




Autumn Durald Arkapaw - Best Cinematography (Sinners)


Arkpaw is the first woman and first woman of colour to receive the award for Best Cinematography in the Academy’s history. Her decision to shoot on 65mm film was groundbreakingly successful, as Sinners features stunning visuals- enhancing the atmospheric ambience of the Southern Gothic vampire horror film.


In her speech she thanks both director Ryan Coogler, and all of the women who helped her along the way:


“I have felt so much love from all the women on this whole campaign and have gotten to meet so many people and I just feel like moments like this happen because of you guys and I want to thank you for that.”




Other nominees were:  Dan Laustsen (Frankenstein), Darius Khondji (Marty Supreme), Michael Bauman (One Battle after Another), and Adolpho Veloso (Train Dreams).




Cassandra Kulukundis - Best Casting (One Battle After Another)


Announced in February 2024, the award for Best Casting is the first new category since 2001. Kulukundis is the first ever recipient of the award and, in her acceptance speech, she highlighted the fight for more recognition of those who work in casting, dedicating her award to all the casting directors who have been gone unnoticed by the Academy for their services over the years:


“I dedicate this to you and to the casting directors who never got a chance to get nominated, who didn’t even get a chance to get their name on the movie. So this is for you guys.”


A proposal for a casting award was rejected back in 1999 but, after the Casting Directors Branch at the Academy was established in 2013, the call for an award was significantly revived. On the announcement of the addition of the casting award, a spokesperson from the academy said:

“Casting directors play an essential role in filmmaking, and as the Academy evolves, we are proud to add casting to the disciplines that we recognize and celebrate.”


Other nominees for the inaugural award were: Nina Gold (Hamnet), Jennifer Venditti (Marty Supreme) Gabriel Domingues (The Secret Agent) Francine Maisle (Sinners).




What’s next?


As a whole, this year’s awards have rewarded outstanding talent and championed diversity and inclusion, with Mediaversity scores of the nominated films in the range of A to C-, an improved score compared to previous years. The unexpected victory of the horror genre, examples of beautiful cinematography and soundtracks, and phenomenal performances made this year’s results really stand out.


With the closing of last night’s ceremony, critics and film buffs have already been speculating about the films that will be nominated next year. Upcoming films such as The Odyssey, Digger, and Dune: Part Three top the list of 2027 Oscars predictions for Best Picture.


The Academy, established in 1928, has developed a loyal following over the decades, and are due to celebrate their centenary in 2028. Following the trend of introducing the casting award, the 100th Academy Awards will include the new Best Stunt Design category- a certain sign that the award ceremony is continuing to recognise the unsung heroes of the film industry.

Mehdi Mangoli starring alongside Pierce Brosnan and Amir El-Masry in Giant (2026)

If the clock struck midnight on the 31st December, and your first thought was ‘this is the year I become an actor’, I understand your desire.

The industry is a complicated place and often comes forth with an aura of uncertainty. If you have no sense of direction, how are you to know which way to go?
Breaking into the industry as an actor may seem like a linear objective, but getting that first job, that first opportunity can feel like a lifetime away.
But what if I told you, that the UK film industry is shifting. Transforming to a place where new talent is emerging, trends are favouring localised productions, and it is now easier than ever to start your acting career.2026 is the best year to take that leap.
And here’s why.

People Like Real People
It is instinctively human to want realness. A real connection. An understanding of genuine personalities. When we see people who are truly themselves, we are drawn to them. We want to get to know them, become friends with them. The industry is starting to want that too. Now, more than ever, casting directors and agents are looking for individuals who showcase their sincere and honest personality. People who can bring their unique perspective to a character or production, are the people who are going to be hired. If we think about it literally, people want to work with people they like.When you go out for an audition or a role, the casting team are not only assessing your talent but alsoyour personality, to see whether you would mesh well with other actors or bring a good energy to set.If you’ve got a unique characteristic, now is the time to harness that, and let that guide you when auditioning.
Sue Odell, casting director for My Brother Is a Mermaid (2019), Bleach (2016), FrenchExchange (2011), states she ‘likes personality’ and ‘thinks it’s important that they seem open’.
Productions want good people to work with, so give them the easy opportunity by showing your rare qualities. Casting directors want real people.
​
Be Social – Use the Platforms
Social media is everywhere and it’s very hard to get away from it. What started as a tool for connection and friendship, has slowly turned into a haven for industry experts and talent to engage with each other. Now, I’m definitely not saying you need to gather thousands of followers, but an appreciation and exploration of your personal brand as an actor can do a lot of good, in showing potential casting directors and productions that you take yourself and your career seriously. Consider your profile as a job application, what can people gather about you from your social media? Does it show what sort of roles and opportunities you are seeking? Can you understand your personality and unique perspective? How can you utilise this, to put yourself out for more work? You would be surprised with how much talent scouting, also includes social media. So, make sure your own is in good condition, in case your next opportunity should arise through this instead.

Projects Are Coming to the North
If you’ve seen an influx of new diverse shows and films featuring actors, talent and locations from the north, you haven’t gone crazy. Times are shifting. And the concept of our great capital London being the hub for the industry is slowly becoming an idea of the past. Productions set in the north are thriving. 2025 alone saw an appreciation of Northern talent and locations, with films such as The Choral (2025), featuring substantial northern actors and filming in Saltaire and around Yorkshire, as well as shows such as Adolescence (2025) and House of Guinness (2025) which were filmed and set in the north. Productions are localising, and becoming dedicated to auditioning and telling the stories of local talent. Now, the opportunity to audition for these roles is becoming more and more accessible, with emphasis placed on finding real and local people who can develop these stories. If there was ever time to get into the industry, now would be the chance to show where you’re from, because you never know where projects might be filming next.

Self-tapes, Self-tapes and more Self-tapes.
Pre-lockdown was a different time for casting opportunities. What once was a trip down to an office for an in-person audition, now becomes an at home experience with yourself, a tripod and an often nonchalant friend or parent helping read in for you. The scope for in person experiences is limited now, still there yes, but often much later down the casting process line. Self-tapes give actors the ability to access casting calls, from wherever. 2026 shows a strong leaning towards initial self-tapes to show your talent to casting directors. Its financially smarter, more accessible and easier to produce. The more tapes you do, the more you get seen by people who can cast you in the future.
There is always a downside to every argument, however.
More people going out for castings means that you will be going against more talent that could potentially take the job. For this reason, you must make sure your completely proud and have brought everything you could have for your tape. Give the casting team an easy job by showing how well you can play that character. Let your personality show how well you would fit into the project. Give them any reason to believe that you’re the correct person for the role.

The Shift of the Showreel
A showreel, is a collection of an actor’s work, produced to show an agent or casting director what sort of actor they are like. Previously, longer, more detailed showreels were given as examples of work.Casting favoured seeing the development of a scene and the transformation of character. Due to the implementation of self-tapes being the main casting tool for agents and casting teams, casting directors haven’t got the time to sit and look through 500 8-minute long showreels anymore. They want to see that you can get into character and show range, as quickly as possible. 2026 trends predict the rise of shorter showreels, which prioritise a few short bursts of action and character versus the typical longer scene. Casting teams only watch a few seconds of a showreel, before deciding if the actor would fit within their character brief.This might seem daunting, but it promotes the productivity of showreels and shows the importance of this within casting. With this in mind, actors can use this to their advantage. Instead of needing to create several elaborate showreel scenes, you can just pick your best moments and compile them. This makes creating and refining your showreel, a lot easier. When thinking about your showreel, keep this in mind. And always make sure to put your best work first.

The Genres of 2026
So, what are people actually casting for? If we look towards upcoming releases, and projects still in development, we can see a real need and exploration of high stakes narratives. Actions/adventure films still dominate the box office, with new titles such as Supergirl, Spiderman: Brand New Day andThe Hunger Games: Sunrise on the Reaping all releasing this year, showing a consumer want for epic imagery and driven narratives. Similarly, romance and fantasy continue to become major themes in upcoming films like Reminders of Him, Girls Like Girls and The Odyssey, all featuring romance and fantasy as the driving force of their stories. But what remains consistent in trend, is the craving for character-based stories, and explorative films focused on humanness. This is, especially, where new and emerging talent is showcased. Actors wanting to get into the industry can utilise this when thinking about what skills and talents they can showcase, whether that be through their showreel, self-tapes or auditions. If you know what’s filming, you can figure out how to be a part of it.

Upcoming UK Based Projects for 2026
The British film and television industry is constantly bringing out new stories to tell. Here’s a few projects, for upcoming release in the UK.

•  TOMB RAIDER

Produced for Prime Video, this epic action series features Sophie Turner as Lara Croft with lots of other Hollywood cast such as Jason Isaacs, Celia Imrie and Sigourney Weaver with Fleabag writer Phoebe Waller-Bridge as both writer and directors. If you’re a fan of the games, you’re not going to want to miss this one.

•  MOBLAND (Season 2)

This intense crime drama is back for its next series. Centered on two rival families, the star-studded cast includes Tom Hardy, Pierce Brosnan and Helen Mirren. Currently filming in East London, the series is set to release later this year, to a much anticipated response.

• CHORK

Written and directed by Shane Meadows, Chork follows two foster siblings who flee to the coast ofEngland, seeking a better life. Set to be released later this year, Chork shows incredible promise in delivering an underrepresented story, grounded in reality.

• RIVALS (Season 2)

Following on from the success of season one, David Tennant returns with his cast of business enemies and romance couples. Aimed to release later this year, Rivals is set to show more of the power struggles of the 1980s business ventures.

• NUMBER 10

Set in the infamous political centre of England, this comedy drama series follows Rafe Spall as the Prime Minister, Katherine Parkinson as his chief of staff, and Jenna Coleman as the deputy chief. The series will be available on Channel Four later this year

• INK

Staring Guy Pearce, Jack O’Connel and Claire Foy, this new upcoming British biographical drama film is set to release later in 2026. Filming took place in the north, featuring locations such as Halifax, York and Hebden Bridge, with Danny Boyle set to direct.

• THE BEATLES

With some of the biggest names attached to the cast, this four-film franchise is described to be the biographical event of the decade. Shooting in Liverpool, and showcasing the upbringing of Yorkshire artists, the Beatles biopic is one of the UK’s most anticipated feature films released.

AI – and The Industries Battle Against It
It is now easier than ever to use AI. It’s on our phones, it’s shown in advertising, its utilised in business. Its present in our every day, even if we don’t see it. The film industry has a troubled relationship with AI. From a business perspective, AI can provide a cheaper alternative to expensive shots. It can generate an image or video in seconds, saving production both time and money, which is invaluable during production shoots. For the creative side, it causes a dilemma of morals: why should we generate when we can produce ourselves?With the invention of Tilly Norwood, an AI generated actress curated to take the place of real actors in projects, its clear the industry is unsure of which lane to pick, and whether there should even be a lane in the first place.
However, I can say, with some confidence, that with the shift to electronic and digital advancements in the screen industry, there will be a greater need for actors and talent to have a greater presence and personality. There will be an emphasis placed on showing unique artists, with real and great perspective. As explained, people want real people. And this is no different for the people we see onscreen as well. Now is the time to understand your unique selling point as an actor and a brand, and start taking your talent and abilities to the next level.
2026 is the time to jumpstart your acting career.
There has never been a better time in the industry than now to put yourself forward. Casting is leaning towards local talent. There is more of an opportunity for real, grounded storytelling. Television and films are seeking the next generation of artists, and you might just be what they are looking for.
The UK industry is shifting. And with current trend predictions, will make the year 2026 a particularly exciting year for television and film alike.

Ntozake Shange once said: “Where there is a woman, there is magic.”
The magic is already in the air as the weekend approaches and International Women’s Day will soon be upon us. It is a time to celebrate the amazing women in our lives and recognise their achievements.
Yorkshire is primarily renowned in film for social realism, highlighting the region’s industrial heritage and working-class life. Its rich culture and distinctive landscapes also lend themselves beautifully to period dramas, another genre Yorkshire productions are known for. From these genres, many incredible actors have emerged.
You have probably heard of names such as Louis Tomlinson, Sir Patrick Stewart, and Jeremy Clarkson. But what about the women? After all, it is their day. So let’s shine a light on a few brilliant actresses you may not have known were from Yorkshire — women who were once simply girls with a dream.


Judi DenchStarting with our beloved Judi Dench, who simply cannot go unnoticed. Known for her versatile stage roles, as well as her work in television and film, she is perhaps most widely recognised for her role in the James Bond series. Over a career spanning more than six decades, Dench has won more than 50 major industry awards, including an Academy Award, a record eight Laurence Olivier Awards, and six BAFTA Film Awards. She has also received four BAFTA TV Awards, two Golden Globes, two Screen Actors Guild Awards, and a Tony Award — talk about a success story.
Dench was born in York and grew up in a theatrical family. Both of her brothers wanted to become actors, and her parents took part in amateur dramatics. As a result, much of her childhood was spent around theatres, so it comes as no surprise that the world of performance eventually captured her entirely.
Interestingly, Dench originally wanted to become a set designer, not an actor. However, she quickly pivoted to acting after her first role — as a snail. Yes, a snail. At her prep school, she played a snail in an adaptation of the nursery rhyme Four and Twenty Tailors Went to Kill a Snail. Dench has said she never had a single defining moment when she decided to become an actress — it happened gradually. But if you ever get the opportunity to play a snail? Prep school or not… take the chance.
Her first professional debut was as Ophelia in Hamlet, which launched her extraordinary theatrical career and long relationship with Shakespeare. Dench even titled her book Shakespeare: The Man Who Pays the Rent, as many of her roles were drawn from Shakespeare’s plays.
She also received critical acclaim on television, starring in the series A Fine Romance (1981–1984) and As Time Goes By (1992–2005). She later rose to international fame as M in GoldenEye (1995), a role she continued in the James Bond franchise until Spectre (2015).
With a career spanning more than 70 years, Judi Dench remains an inspiration to young actors. Regarded as a national treasure, she is celebrated for portraying strong-willed, authoritative and emotionally complex women. For that reason, she is certainly someone worth celebrating on International Women’s Day. 


Christina PicklesYou probably know Judy Geller, Ross and Monica’s mother from Friends, played by Christina Pickles. But did you know that Pickles — an Emmy nominee — was born in Halifax, Yorkshire?
Like Dench, Pickles came from a theatrical family. Her uncle, Wilfred Pickles, was a famous comedian during the war in England and hosted his own radio programme. Pickles always knew she wanted to be an actress and began pursuing acting from a young age. At just 14 years old, she was studying at the Royal Academy of Dramatic Art (RADA) in London.
It might surprise many people that Pickles is from Yorkshire, as she later moved to New York City in the late 1950s after graduating from RADA to pursue her acting career. She began performing in theatre, appearing in several Broadway productions during the 1960s and 70s, including Sherlock Holmes.
She later transitioned into television, finding roles in daytime soap operas such as Guiding Light and Another World, which helped her become a familiar face to TV audiences. Her breakthrough role came in 1982 as Nurse Helen Rosenthal in the medical drama St. Elsewhere. The show followed the lives of doctors and nurses at a hospital in Boston, and the role earned Pickles five Emmy nominations for Outstanding Supporting Actress.
Christina Pickles is a reminder that if you truly have a dream and the passion to pursue it, you should go for it. After all, what is the worst that can happen?


Jodie WhittakerJodie Whittaker, the thirteenth Doctor Who, is also from Yorkshire — something that may be more obvious given that she primarily works in British productions.
Whittaker grew up in Skelmanthorpe, where she carefully planned her future career. She took a gap year to travel and work before applying to drama school in London. It clearly paid off — she gained a place at her first-choice drama school, the Guildhall School of Music and Drama.
Whittaker made history as the first woman to play the Doctor in the long-running series Doctor Who. While other actresses have appeared in spin-offs or special episodes, she was the first woman to headline the main television series.
Her casting sparked mixed reactions. Many fans were excited by the change, welcoming greater representation for women in science fiction and offering young girls a new role model. Others were less enthusiastic, arguing that the Doctor had been male for more than 50 years.
However, Charlotte Moore, BBC Director of Content, responded by saying:
“Making history is what Doctor Who is all about.”
When asked how it felt to become the first female Doctor, Whittaker said:
“It feels completely overwhelming… as a feminist, as a woman, as an actor, as a human… It feels incredible.”
Her words highlight an important point: there are still unspoken expectations placed on women within the film industry. Challenging those expectations helps create new opportunities.
Whittaker herself said she did not want fans to be “scared by [her] gender,” adding:
“This is a really exciting time, and Doctor Who represents everything that’s exciting about change.”
Whittaker is a perfect example of why change is not only positive, but necessary.
She is an inspiration for women pushing boundaries in what has traditionally been a male-dominated industry. Her career has earned her multiple awards, including Best Actress and Best Breakthrough Performance at the 2017 National Film Awards for Adult Life Skills, as well as nominations including a Saturn Award (2019) and a Critics’ Choice Super Award (2022) for her role in Doctor Who.


Candour ProductionsSpeaking of women shaping the industry, let’s take a look at Candour Productions, a female-led, multi-award-winning independent production company based in Leeds, run by Anna Hall.
Candour’s films offer a refreshing take on meaningful stories — warm, compassionate, and full of integrity. The company is passionate about supporting female directors and helping them remain within the industry.
In an industry that can still feel male-dominated, companies like Candour create real opportunities for women working in production — particularly outside London.
Candour has built an impressive reputation over the past decade. In 2023, they won a BAFTA for Best Factual Series for Libby, Are You Home Yet?
Across 28 productions, only three have been directed by men — a statistic that is incredibly rare within the industry.
Candour continues to open doors for women who might otherwise struggle to find opportunities in film production.


Take inspiration from these women. They were once simply girls from Yorkshire with dreams. Through drive, passion and hard work, they have become some of the most recognised women in the industry.
Remember — some dreams are worth fighting for.
You can even begin that journey right here at IPM Acting Academy,  for aspiring actors who want to develop their skills and work towards their dreams.
Happy International Women’s Day!